as8: Typography & Type Design  [ definition ]

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Ahrens, Tim. 2009, Size-specific Adjustments to Type Designs (page), Mark Batty Publisher, New York.

Ahn, Yeohyun. 2009, Type + Code: Processing for Designers (lulu), Maryland Institute College of Art, Baltimore.

Airy, Paul. 2017, A Type of Email; a Handbook for Working with HTML Typography in Email (ebook), Beyond the Envelope.

Berry, John D. 2002, Language, Culture, Type: international type design in the age of Unicode (review), Graphis, New York.

Bringhurst, Robert. 1997, The Elements of Typographic Style (wiki, review, web), Hartley & Marks, Toronto.

Bringhurst, Robert. 2006, The Tree of Meaning (review, browse), Counterpoint, Berkeley.

Bringhurst, Robert. 2011, What Is Reading For? (page), Cary Graphic Arts Press, Rochester, New York.

Cabarga, Leslie. 2004, Learn FontLab Fast (page), Iconoclassics, Los Angeles.

Carter, Sebastian. 2002, Twentieth Century Type Designers, Lund Humphries, Hampshire.

Coles, Stephen. 2012, The Anatomy of Type (page), Harper Design, New York.

Craig, J., Bevington, W. and Scala, I. 2006, Designing With Type, 5th edition (online, amazon), Watson-Guptill, New York.

De Bartolo, C. and Spiekermann E. 2011, Explorations in Typography (web, .app), 101 Editions, San Anselmo.

De Jong, C. and Purvis, A. 2005, Creative Type: A Sourcebook of Classical and Contemporary Letterforms, Thames & Hudson, London.

De Jong, C. and Tholenaar, J. 2009, A Visual History of Typefaces & Graphic Styles, 1628-1900 (review; volume one, two), Taschen.

Dyson M.C. and Suen, C.Y. 2016, Digital Fonts and Reading (online), World Scientific, Hong Kong.

Elan, Kimberly. 2004. Grid Systems, Princeton Architectural Press, New York.

Felici, James. 2003, The Complete Manual of Typography (synopsis, inteview), Adobe Press, Mountain View.

Froshaug, Anthony. 2000, Typography & Texts / Documents of a life (synopsis), Hyphen Press, London.

Frutiger, Adrian. 1989, Type, Signs, Symbols (web, .pdf), ABC Editions, Zurich.

Frutiger, Adrian. 2009, Typefaces (page, review), Birkhäuser, Basel.

Garfield, Simon. 2011, Just My Type: A Book About Fonts (review, article), Profile Books, London.

Gill, Eric. 1936, An Essay On Typography (review, book), Lund Humhries, Hampshire.

Gordon, Bob. 2001, Making Digital Type Looking Good, Thames & Hudson, London.

Hamilton, Frederick W. 1918, The [Origin and] Uses of Italic (.txt, source), United Typothetae of America,

Haralambous, Y. and Horne, S. 2007, Fonts & Encodings (online), O’Reilly Media, Sebastopol.

Heller, S. and Fili, L. 1999, Typology: Type Design from the Victorian Era to the Digital Age (review), Chronicle, San Francisco.

Henestrosa, Meseguer, Scaglione. 2012, How to Create Typefaces: From Sketch to Screen (review, online, amazon), Typo e, Madrid.

Highsmith, Cyrus. 2012, Inside Paragraphs (web), Font Bureau, Boston.

Hurst, Mark. 2007, Bit Literacy (sample), Good Experience Press, New York.

Kane, John. 2002, A Type Primer, London, Laurence King, 2002.

Karow, Peter. 1994, Font Technology (preview), Berlin.

Kinross, R. and Hochuli, J. 1996, Designing Books: Practice and Theory (synopsis), Hyphen Press, London.

Kunz, Willi. 2000, Typography: Macro- + Microaesthetics (web), Niggli, Sulgen.

Level J. and Newman B. 2000, The Precision Type: Font Reference Guide, version 5.0, Hartley & Marks, Vancouver.

Loxley, Simon. 2006, Type: The Secret History of Letters (page, toc, review), I.B. Tauris, London.

Lupton, Ellen. 2004, Thinking with Type (page, review, bibliography), Princeton Architectural Press, New York.

Mediavilla, Claude. 1993, Calligraphie, Imprimerie Nationale, Paris.

Middendorp, Jan. 2004, Dutch Type (page, online), 010 Ultgeverij, Rotterdam.

Mitchell, M. and Wightman, S. 2005, Book Typography: A Designer’s Manual (excerpt), Oak Knoll, New Castle.

Moxon, Joseph. 1703, Mechanick Exercises or Doctrine of Handy-works (ebook).

Müller, Manuela. 2011, Getting the Hang of Web Typography (Smashing eBook #6), Smashing Media.

Noordzij, Gerritt. 2001, Letterletter, Hartley & Marks, Vancouver.

Noordzij, Gerritt. 2005, The Stroke, (book, notes) Hyphen Press, London.

Ogg, Oscar. 1948, The 26 Letters (post), Thomas Y. Crowell Company, New York.

Ornstein, Jacob. 1939, Lettering for Fun (Picture Book), (online) Bridgerman.

Prestianni, John. 2001, Calligraphic Type Design in The Digital Age, Gingko Press, Corte Madera.

Rappo, F. and Lehni, J. 2010, Typeface as Program (page, review, papers, blog) Ecole Cantonale d'Art de Lausanne, Lausanne.

Rosendorf, Theodore. 2009, The Typographic Desk Reference (page), Oak Knoll Press, New Castle.

Smeijers, Fred. 1996, Counterpunch: Making Type in the Sixteenth Century, Designing Typefaces Now, Hyphen Press, London.

Spiekermann, Erik. 1993, Stop Stealing Sheep and Find Out How Type Works (Chapter III .pdf), Adobe Press, Mountain View.

Stewart, A.A. 1918, Type: A Primer of Information About the Mechanical Features of Printing Types (gutenberg), UTA, Chicago.

Tracy, Walter. 1986, Letters of Credit: A View of Type Design (review); David R. Godine (page), Boston.

Truong; Siebert; Spiekermann (edited by). 2006, FontBook Digital Type Reference (page), FontShop International, Berlin.

Tschichold, Jan. 1995, The New Typography (review), University of California Press, Berkeley.

Tschichold, Jan. 1997, The Form of the Book (review), Hartley & Marks, Vancouver.

Twyman, Michael. 1982, The Graphic Presentation of Language (paper), Information Design Journal, Vol.3 N°1, 1982, pp. 2-22.

Unger, Gerard. 2007, While You‘re Reading (press), Mark Batty Publisher, New York.

Updike, Daniel B. 2007, Printing Types (excerpt), Oak Knoll, New Castle.

VanderLans, Rudy. 2009, Emigre #70: The Look Back Issue (press), Gingko Press, Berkeley.

Young, Doyald. 1999, Fonts & Logos; Logotypes & Letterforms (review), Delphi Press, Sherman Oaks.

Warde, Beatrice. 1956, The Crystal Goblet (text, lecture, excerpt), Sixteen Essays on Typography, Cleveland.


Nix, Charles. 2014, The Type Directors Club Recommended Reading (page).

FontShop Education. 2010, Typography Tips and Tutorials and Internships (e-book, students).

Typography Papers. 1996, No. 1-8. University of Reading, Department of Typography:

Baseline Magazine: 1979, Kent, England.

Blažek, Filip (edited by). 2003, TYPO Magazine: (wiki) Praha, Czech Republic.

Boardley, John. 2007, I Love Typography, Blog (review); WLT Search Engine (index).

Coles, Stephen (edited by). 2002, Typographica:; Typeface and Type Book Reviews.

Lubalin, Herb. 1973, U&lc Magazine, Online Index.

Richardson, Margaret (edited by). 2007, FontShop Font Magazine: (review).

Rocha, Claudio (edited by). 2009, TIPOITALIA Magazine:; Grafiche Antiga.

Everson, Michael. 1993, Bibliography of Typographyand scripts, Cathair na Mart, Ireland.

Johnson, Roy. 2009, Typography – a Bibliography (index).

Rose, David. 2003, An Annotated Bibliography of Typography, Letterpress Printing & Other Arts of the Book, Five Roses Press, New York.

Periodicals on Typography, Online Index.

Typophile Books, Online Library and List.

Typeradio: 2004, Stream and Podcast Station.

Type Conferences, Online Index.


Type Design

“Typeface” definition,,

“Thinking with Type” by E. Lupton,

Underware Type Basics,

Adobe Typography Primer,,, @typekit, @archives

Meet Your Type: A Field Guide to Typography,

Character Design Standards,

TypeCulture Articles and Essays,

TypeCooker by E. van Blokland,

“On the Origin of Pattering (harmonics, patterns, dynamics) in Movable Latin Type” by F.E. Blokland,,

“Typography Basics” handout by A. Segalini,

“FreeType Glyph Conventions” by D. Turner,

MATD Reading Typeface Design Master Class,,,

KABK Type]Media,,,, 2010, 2011, 2012, 2013, 2014,


Crafting Type,,

ESAD Personal Views Lectures,,

TypeClinic International Type Design Workshops,


FontShop Education,

Typography Education Directory,

Microsoft Typography,

Paul Shaw Letter Design,

“Practical Typography” by M. Butterick,

Font Glyph Synopsis,

“The Meaning of Type” by S. Heller,

“Designing Type Systems” by P. Biľak,

Design Principles by Adactio,

“Andy Clymer About the Creation of Obsidian” by R. Hermann,

“Type Is Art” Interactive Project by J. Rodriguez,,

“Untitled Sans & Serif Design Information” by K. Sowersby,

“A Brief Guide to Basic Typography” by D. Ross,

“Type, Handwriting and Lettering” by G. Briem,

“Lettering is Not Type: Clear Definitions for Commonly Abused Terms” by S. Coles,

“Some Open Thoughts About OpenType” by J. Sysmäläinen,

“My Typography Course” by J.F. Porchez,,

“Point Size and the Em Square: Not What People Think” by T. Phinney,

“The Em” by C. Highsmith,

“The Em and Sidebearings” threads,,,

“Corporate Type” by E. Spiekermann,

“Designing Type(faces)” by G. Everet,

“Against Anti-foundationalism” by E. Earls,,

“New Fonts: A Graphic Designer’s Perspective” by Hoefler and Frere-Jones,

“Tools, Techniques, and Innovation (in Typographic Design) by G. Leonidas,

“On Minimum Quality in Typeface Design” by G. Leonidas,

“Preparation for Greek Typeface Design” by G. Leonidas,

“Math and Optics in Type Design” by A. Studer,

“A Few Things I’ve Learned About Typeface Design” by G. Leonidas,

“The Next Ten Years” by G. Leonidas,

“Lost In Flatlands” by G. Leonidas,

“Languages, Scripts, and Typefaces” by G. Leonidas,

“Swift Strokes and Sampled Construct” by G. Leonidas,

“Typography and Systems” by M. Sesma,

“What Type Taught Me About Music” by R. Finlay,

“Design Education, Part I” by P. Biľak,

“Toolspace” by J. Middendorp,

“What If Type Were a Car?” by L. Perondi,

“How To Choose the Right Face for a Beautiful Body” by D. Reynolds,

“Any Advice You Would Give a Designer Seeking a Career in Typography” thread,

“A Typographic Anatomy Lesson” by Y. Peters,

“Haas Unica Research” thread,

“BubbleKern for Glyphs” bu T. Omagari,

“On Kern Type the Kerning Game” by Paul Shaw,,, @facebook

“Kerning Exercise” by R. Giampietro,

“On Kerning and Metrics” by F.D. Martins,

“Shape Type Letter Shaping Game” by M. MacKay,

“Contrast & Stress Shaping Game” by D. Ross,

The Eyeballing Game (Optical Geometry Test),

Bezier (Spline) Curves,,,

Curve Compensation,

“Mastering the Bezier Curve in Sketch” by P. Nowell,,

“Bezier Warp Math” by T. Chrystie,

Width Tool Illustrator,


Inkscape + Spiro,,

“Using Illustrator to Draw Fonts for Importing Into FontLab” by S. Ármannsson,

“Vector Drawing” by J.P. De Gregorio,

“Vector Drawing Mistakes” by J.P. De Gregorio,

“Drawing Ovals and Ellipses With the Compasses” by E.G. Lutz,, .pdf

“Why Should I Learn To Draw?” quora,

“Reverse Noordzij Cube Demo” by D. Ross,

“Digital Type Primer” by K. Tam,

“Drawn to Digital” by E. Berliner,

“Oldrich Menhart” by V. Burian,

“Why Study Typography”,

“Making a Handwritten Font” by H. Geisler,

“The Process of Creating a [Script] Font” by Hallmark,

“Create Lettering With Adobe CC Tools”

“The Real Meaning of Writing” by G. Noordzij,

“Type Design Philosophy” by M. Majoor,,,

“A Brief History of Sans Serif” by B. Pitoyo,,

“A Year of Type Design: Parallel Thinking, Parallel Histories” by B. Mitchell,

“An Introduction to OpenType Substitution Features” by Wenzel and Koeberlin,

“Towards an Ideal OpenType User Interface” by K. Sowersby,

Better UI for Better Typography,,

On-Canvas Glyph Selection In Adobe InDesign CC,,

List of Typographic Features,

“Miscellanea; Important Aspects of Typeface Design” by G. Munch,

”Type Hunger, Lettering and Type” by E. Lupton,

“TypeEdu/Teaching” by H. Famira,,

“Type Design FAQ” by J. Puckett,

“Continuing Studies in Typography” by I. Strizver,

”Type Design and Typography” at CreativePro,,

Morisawa Type Design Competition 2012,

Italics and Oblique How-To,,,

”Italic Subtleties” by T. Omagari,,

‘S’ design,

”Esszet or ß” by J. Mosley,

Text Figures (Numerals),

OSF Figures – Old Style, Text and Lining,

Numbers at Hoefler & Frere-Jones,

“Proportional vs. Tabular Figures” by I. Strizver,

“The Capital Sharp S of the German Government” by R. Herrmann,

Original Drawings for Lexicon by B. de Does,,

Font Bureau David Berlow’s Type Specimens,

Dutch Type Library Specimens,

City Font Project,

Live Pen Calligraphic Drawing Software,

KalliCulator Automatic Calligraphy,; blog-entry

“Typeface Design in Arabic” by T. Nemeth,

“Arabic Calligraphy as a Typographic Exercise” by J. Kaestle,,

“The Essential Structure of (Hindi) Letterforms” by S. Rajpurohit,

“Failed Roman A (Latin Script Failure to Reproduce Important Indian Sounds)” by NID Language Research,

Khatt Foundation (Center for Arabic Typography),

“Phonetikana: English and Japanse Script” by M. Johnson,

“Mongolian Script” by J. De Baerdemaeker,

“Krazy About K” by P. Patton,

“An Alphabet Book” by B. Fry,

“Rhythm in Type Design” by A. Lo Celso,

“Interletrado, Estudio de Los Blancos” by J. Gaitto,

“Design a Bold From a Regular”

“Ductus and Glyph Identity”,

“Family How-To”,

“Family of Letters” by J. Kennard,

“Styles, Weights, Widths; It’s All in The (Type) Family” by Y. Peters,

“Spacing Essay” by F. de Mello,

“x-Height and Descenders” by J. George,

“The Value of Type” by E. van Blokland,

“Call It What It Is” by J. Downer,

“A Shameless Plug for Custom Typefaces” by B. Maag,

“Type Is Designed By Real People With Real Feelings” by Y. Peters,

“Sindelar Design Process” by S. Willerstorfer,

“FF Yoga Design Process” by X. Dupré,

“The Heroic Powers and the Weaknesses of Superfamilies” by R. Elnar,

“Between Writing & Type: the Stencil Letter” by Y. Peters,

“Stencil Alphabets: Interrupted Strokes and Divided Shapes” by F. Ulrich,

“Alphabet” by T. Girvin,

“Sense & Sensibility” by N. Shinn,

“Font Design as Software?”,

“Development of Sanserif in 20th”,

“The Human Side of Sans Serif” by J.D. Berry,

“The Revival of Slab Serif in 20th”,

“The Creation of FF Unit Slab” by Y. Peters,

“Slab Serifs” by I. Strizver,

“Pool Tells the Story of the New FF DIN Round” by I. Gabrowitsch,

“Development of the New Version of the Dutch Stamp” by P. Bilak,

Blackletter Resources,, search, article, review,,

“Blackletter Social Aspects” thread,,

Oketz, An Introduction to Hebrew Type,,

“Women in Type” threads,, 6414, 19397, 18251, a paper, an exhibition

“Where Are the Women in Type Design?” by V. Gerlach,

“Cyrillics I Really Need to Bother With” by R. Larabie,

“Why Do We (Still) Use Cyrillic” by A. Vanyashin,

“Leipziger Lives Again”, by T. Ahrens,

“TeX TypeSpec” by S. Moye,

“Five Steps to Better Typography” by M. Boulton,

“Cycles” Text Font by S. Stone,

“Unger‘s Workshop at Reading” by A. Cavedoni,

“Collaborative Type Design Workshops Without Computers” by D. Crossland,

“Notes on Arabic Font Specimen” by K. Luecke,

Ornamental Typography at BibliOdyssey,

“Why Is It Called Color?” thread,,

Typography and Colors,

Typography and Lettering Pool,

Handwriting, Lettering and Calligraphy Inspiration,

Ink Traps,

“Ode, a Fresh Start for a Broken Script” by M. Wenzel,

“Characters and Identity Manifesto” by A. Segalini,

Joe Churchward’s Work at Te Papa’s Archival,

Hirschvogel’s Geometria 1543,

Cyrus Highsmith’s Interview,,,,

“Learning the Craft Through Study and Apprenticeship” by C. Highsmith,

“How To Design a Typeface: A Step-by-step Guide” by M. Harris,

“Turnip Patch Meets Type Technology” by E. Shapiro and D.J. Ross,

“Experimental Typography. Whatever That Means” by P. Bilak,

“Do We Need More Fonts?” by C. Highsmith,

“Torch: Drawing Letters” by T. Brown,

“DIY Wooden Wax Seal” by K. Munn,

“Detesto la Calli-grafia” by S. Polano,

“The Atlantic; Talks Typography” interview with M. Bierut,

“Graphic Designer vs. Typographer” thread,

“Typography Is a Grid” by A. Froshaug,

“No, There Are Not Enough Typefaces Already” by C. Highsmith,,

The Wolpe Collection by Monotype,,

The Boston Globe Interviews David Berlow,

“True to Type: Why Letters Are a Labour of Love” by S. Garfield,

“Fluid Mechanics: Typography Now” by E. Lupton,

“Crimes Against Typography” by S. Heller,

“Decriminalizing Typography: Declaring an End to the War on ‘Type Crimes’” by P. Shaw,

“How to Explain Why Typography Matters” by T. Phinney,

“10 Common Typography Mistakes” by B. Hoff,

“Typography Cheatsheet” by J. Shoaf,

“About Default Lining Figures and Building Fonts” thread by D. Reynolds,

“The Great ‘Cedilla vs Undercomma’ debate” thread,

“Stretching Type; Type Taboo” thread,

“Type Size” by E. Lupton,

“What the Font You Choose Says About You” by Bennett and Black,

“How Much Do I Charge My Client” thread,

“This is the New Typography (and the Typefaces that Make it Work)” by G. Leonidas,

Robert Bringhurst and Arabic Typography,

Donald Knuth 3rd Dr. Peter Karow Award,,

“Everything Is Type” A. Helmling,

Bond Writing Robot,

Letter as Image,


Daily Drop Cap,

“Start Off with a Bang” by I. Strizver,

“Ligatures” by M. Boulton,

“What’s a Ligature, Anyway?” by R. Herrmann,

“Standard Ligatures, OpenType at Work” by Y. Peters,

“Tweet More Eciently [w/ Ligatures]” by @Typefacts,,

P22 Analog,

“The Sound of Shapes & Shape of Sounds” by J. van Rossum,

“What Is It Like to Be a Type Designer?” thread,

House Letters & Ligatures Exhibition by House Industries,

Type Design Rules-of-Thumb,

Fine Typography by Monotype,

Typester Mapping,

Typographic Education Forum,

Typeface Design at Reading,,

Typophile Pool,

Type Directors Club,

Typographica Typeface Reviews,

Creative Characters Issue #100 Highlights,

Type Classification

Typeface Classification Schemes,

Letters Relationship handout,

Typeface Anatomy handout,

Vox 13 Classification,

Vox 13 handout,

Classification by E. Lupton,

Typeface Pairing i.e. Mixing Type,,,,,

“Combining Typefaces: Free Guide to Great Typography” by T. Brown,, typekit.files/combining-typefaces.pdf

“Typewolf Font Recommendations and Lookbooks” by J. Shoaf,

“How to Pick and Pair a Custom Font” by L. Sander (Apple WWDC),

Fonts In Use @fontsinuse,,

Linotype Fonts by Themes,

Fontpair Google Fonts,

Femmebot Google Fonts,

Discover.typography by H&Co,

ParaType Font Classification,

Serif Types Small Chart,

“Type Classification eBook” by J. Cass,

“Periodic Table of Typefaces” by C. Wilde,,

“TDC Top 100 Typefaces” by P. Shaw,

FF The 100 Best Fonts of All Time (Die 100 Besten Schriften),

The Right Font and Format for the Job,

“So You Need a Typeface” by J. Hansen,

“A Typeface For Reading” by R. Waller,

“Grotesque Classification” thread,

“Elzevir Letter” by J. Mosley,

Modernism wiki,

Illumination wiki,

Typographic Timeline,,

Design Is History (The Ethos of a Period),

Type Terminology by J. Boardley (iLT), Humanist, Old-Style, Transitional, Didone

“Cult of the Ugly” by S. Heller,

“On Classifying Type” by J. Hoefler,

“Best Practices of Combining Typefaces” by D. Bonneville,

“Type Connection” Pairing Game by A. Seltzer,

“Type Comparisons” by R. Giampietro,

“What if Type Were Car?” by L. Perondi,

“Choosing a Font for Book Design” thread,

   “Font for Multilingual Books” thread,

   “Top Ten Typefaces Used by Book Design Winners” by S. Coles,

Fonts and Designers

MyFonts,; review

FontShop FontFont,,

Linotype Font Finder,

Adobe Type Library Classification,

Adobe Type Team,

Font Bureau,

Webfont Service Providers,



Google Font Directory,, post

Google Noto (800 Languages),


Foundries List,

Linotype Fonts by Themes,

Fonts In Use @fontsinuse,,

Fontscape by Period,


Independent Type Foundries List” by J. Shoaf,

“Type Census, Type Foundries Today” by S. Coles,

Typeatlas by O. Jób,

“Font or Typeface” by Y. Peters,,,

“Type Navigator” by J. Middendorp and,,

Global Type Searching For Typefaces,

TypeSQL Typeface Connection Visualization,

Type Designers,,,

Typophile Designers List,

Luc Devroye Database,

Font Identification Guides by M. Yanega, script, serif, sans, foundries

Designers List wiki,

FF Skill Set “Advertising and Packaging”,

FF Skill Set “Editorial and Publishing”,

FF Skill Set “Corporate and Business”,

Stencil Serif Fonts,,

WLT “We Love Typography” by Boardley and Pätilä,

TDC2 Awards,,,

Alternatives to Common Fonts,

Veer Pool,


Meta Serif,

TEFF Lexicon,

Dalton Maag BBC Custom Font Family,

Fontshop Gallery,

FontShop Newsletter Archive,

MyFonts Newsletter Archives,

FontShop CS Photoshop Plugin,

“15 Tips To Choose a Good Text Type” by J.P. De Gregorio,

“TypoMag” by L. Meseguer,

“Periodic Table of Typefaces” by C. Wilde,,

“TDC Top 100 Typefaces” by P. Shaw,

The 100 Best Fonts of All Time (Die 100 Besten Schriften),

Type In Berlin,


“Typefaces No One Gets Fired for Using” by C. Moll,

“Typefaces For Corporate Design” by Smashing Editorial,

“Typefaces Used by Book Design Winners” by S. Coles,

“How To Choose the Right Face for a Beautiful Body” by D. Reynolds,

“Selecting Typefaces for Body Text” by T. Brown,

“Internet :-) :-( Smilings or Emoticons” by A. Harmon,,

Donger List,

“Roboto UI Google Material Design” review by S. Coles,,

FF DIN Microsite,,

FF Legato by E. Bloemsma,,,

<Webtype> MCKL Fort & Shift Web Specimen,

“Modern Suite: Figgins and Scoth Roman” by N. Shinn,, fonts

“Creative Characters” by MyFonts,,

MyFonts “In Your Face”,

MyFonts “Rising Stars”,

“The Definitive Guide to Free Fonts” by J. Shoaf,

Font Squirrel Free Favorites,

Source Sans Pro Adobe Open Source,

Legit Free Fonts,

“Free Fonts Manifesto” by E. Lupton,,

“Free Fonts Are a Myth” by J. Felici,

Pixel Fonts License-Free,

Free Quality Fonts List by V. Friedman,, pt.2, pt.3

Free Quality Fonts by J. Buivenga,,

Free Fonts 2009 Collection,

Monospaced Fonts for Coding,

Operator by Andy Clymer,

Lost Type Co-op,

“FB Input Font for Coding, Process” by D.J. Ross,

“The Boldest Font” thread,

Entypo Pictograms by D. Bruce,

Aller for the Danish School of Media and Journalism,, newsletter

Ubuntu by Dalton Maag Ltd,

“Robert Farrelly on Free Fonts…” thread comment,

Open Font Library,

Open Baskerville Project,

“Rare Type Specimens” by R. Herrmann,

“Library of Type Specimens” by R. Herrmann,

“Fonts” by J. Kottke,

“Favourite Fonts” by D.J. Ross, 2009

Typographica Favorite Typefaces, 2006, 2007, 2008, 2011

FontShop Best Fonts, 2008, 2009, 2010, 2011, 2014, 2015, 2016

MyFonts Best Fonts, 2008, 2009, 2010, 2011, 2012, 2013, 2014

Typefacts Die besten Schriften, 2009, 2010, 2011, 2012

Fontwerk  Die besten Schriften, 2007, 2008, 2009, 2010, 2011, 2012

Veer Staff Picks, 2010

<Webtype> News 06/2014,

<Webtype> News 01/2015,

ED Awards,

The Next Web Best Typefaces,

LT Fonts in Focus,

W.A. Dwiggins Collection,

Gerrit Noordzij,,,

Matthew Carter Receives MacArthur ‘Genius’ Fellowship,

“As Ferrari Is to Cars, Novarese Is To Type” by I. Kupferschmid,,,,,

De Worde by Jeremy Tankard,

Ken Barber House Industries Interview by Gestalten,

Gerard Unger Interviews,,

Erik Spiekermann Interview at FontFont,

Cyrus Highsmith Interview at Typecache,

Martina Flor,

Josh Scruggs Interview at Pen Pals,

Lamon by A. Lebedev,

“What Is Your Inspiration” by K. Sowersby,

“Handmade Type” by Tien Min Liao:

“Graphic Drawing Pens Review” by J. Scruggs,

Wim Crouwel,,

Bigelow & Holmes,

Jelle Bosma,

Sumner Stone TDC Talk,

Paul Barnes Interview at Typecache,

Mike Abbink Interview at FontFont,

Farewell to Peter Bruhn,,, post

Farewell to Mike Parker,,

The Japanese Foundry Scene,

Typofonderie Font Discoveries,

“Type as Texture” by J. Davis,

Post Typography ‘Alphabet’ Exhibition,

“For Electronic Types, a Mark of Distinction” by A. Rawsthorn,

“How Does One Assess the Mood of a Typeface” thread,

“MoMA Acquires Digital Typefaces; What Does That Mean?” by J. Kottke,

“TYPO London 2012 Sketchnotes” by E.-L. Lamm,

“John Baskerville and the Beauty of Letters” by HWM,


Type Specimen Group Pool,

“Creative Alphabets” by R. Miller,

“Creative Alphabets” by L. Frank,

“60 Typefaces For Corporate Design” by V. Friedman,

“Weapons of Mass Seduction and Reduction” posters by M. Giesser,

“Letterboxes” by J. Mickel,,

Go Font Ur Self,

Tropical 1950s Retro Type Inspiration,

Chromeography Logos and Lettering,

Alternatives to Helvetica,,

Alternatives to Futura,

Allium by C. Highsmith,,

“The Scourge of Arial” by M. Simonson,

“Inclined To Be Dull (on Helvetica)” by M. Majoor,

“The Design of Helvetica Greek For Photocomposition” by H. Lekka,

“Haas Unica; a Legendary Redesign of Helvetica, Reborn After 30 Years” by K. Vanhemert,,

Neue Haas Grotesk by Font Bureau,

“Times New Roman Is Not the Enemy” by B. Dawson,

“Recasting Electra as Aluminia” by J. Parkinson,

Lucida by C. Bigelow and K. Holmes,

Arno Pro by R. Slimbach,,

STIX v.2.0 by Tiro Typeworks,,

Harriet Series Baskerville Revival by J. Cavanaugh,

FF Real,

Triade by Copper and Brasses,

Audi Corporate Typeface by P. von der Laan,

Milliard by R. Bieder,

“Calligraphic Type Design in the Digital Age” by S. Taylor (H. Zapf),

“Memories of Adrian Frutiger” by M. Comte,,

“Frutiger Talk” by M. Simonson,,

“Sweden Typeface” by S. Hattenbach (Söderhavet),,

“Forma by DJR Broadcasts the NWS” by Y. Peters,

“Ken Barber Interview” by T. Wilkins,

“Our Favorite Fonts”

“The Logos of Web 2.0” by S. Coles,

“Familiar Faces” by A. Haley,

“A Few Good Fonts” by E. Lupton,

“Reasons to Choose a Particular Typeface For a Project” by M. Bierut,

“Tips for Choosing the Best Webfonts” by J. Cranford,

“Mistakes in Typography Grate the Purists” by A. Rawsthorn,

“Font/Typeface Terms Survey Results” by T. Phinney,

Fonts in Use, delicious/in-use/organic,,,, typetide/in-use

The Week In Type by ILT,

Characters Required by Languages,

Omniglot Resources,


“To Write Without a Pen” by A. Byrom,

“Lecture on History of Printed Letters” by Lupton and Faden, http://thinkingwithtype/history-notes

“Lecture on History of the Alphabet” by J. Ross,

“The First Roman Fonts” by J. Boardley,

Printing & Typesetting History,,

History of Western Typography,

Typography Museums & Library Directory,

Movable Type,

Gutenberg Johannes,,, B42.jpg, 1455-64.wav

Gutenberg’s Bible,,,

“Gutenberg and The Social Media Revolution” by R. Stacy,

“The Gutenberg Press” by S. Fry,

“Mike Parker’s Story of Type: Gutenberg” by M. Parker,

“The Feeling of Typography: from Letterpress Type to Touchscreen” by R. Levien,

“The Liber Chronicarum (Nuremberg Chronicles) 1493” by A. Koberger,

“The Art and Tradition of Typography” by G. Hitchcock,, .pdf

“The Hypnerotomachia Poliphili” by F. Colonna and A. Manutius,

“De Evangelica Praeparatione: Nicholas Jenson and the Humanist Letter” @Codex99,

“Is It Possible to Determine What Typeface of the 1990s Will Become a Classic?” by F. Smeijers,

“Don’t Know Much About (Type) History” by K.T. Meaney,

“New From Old: the Why and How of Reviving a Typeface” by T. Omagari,

“The Differences Between a Grotesk and a Neo Grotesk Typeface” thread,

“Grotesque: The Birth of The Modern Sans Serif in The Types of The Nineteenth Century” by S. Soskolne,

“The Dying Typographic Art of Cutting Letters into Steel” by C. Dunne,,

“The Legacy of the Typewriting Machine in Type Design” by M. Ramos,

“Typewriters in Catalonia” by M. Wichary,

“The Chinese Typewriter” by T. Mullaney,,,

The Typewriter Database,

William Caxton,

Romain du Roi,,,,

Morris Online Edition,

James Mosley’s Typefoundry blog,

“The Mosley Effect” by B. Richardson,

“Joos Lambrecht Letters” by P. van Lancker,, post

Alexander Verberne,

Codex 99 Archive,

Linotype Typography Manual,

“Phototypesetting with the Berthold Diatype” by R. Herrmann,

Antique Tuscan Serif Style,,,

“Online Sources of High-Resolution Scans of Old Type Specimen That Can Be Used for Revivals” thread,

“An Alphabet of Organic Type (ca.1650)” J.C. Bierpfaff,

“Garamond or Garamont?” by J. Mosley,,

“Egenolff-Benrer vs. Stempel Garamond” thread,

“Eric Gill’s R: the Italian Connection” by J. Mosley,,

“Eric Gill: Can We Separate the Artist From the Abuser?” by R. Cooke,

“Bringhurst Surveys Zapf’s Palatino Tribe” by S. Heller,

“Stealing Sheep” by J. Santa Maria,

“Letters Lost, A Didactic Elegy (Greek, Phoenician and Roman Developments)“ by S. Stone, 

“The Complete Engraver” by N.S. Collins,,

“Il Carattere da Stampa e sua Evoluzione Stilistico-Progettuale” by A. Marconi,

“Rare Type Specimens” by R. Herrmann,

“Good Book on the History of Typography” thread,

“Teaching Typography” thread,

“The Evolution of Type” by M. Brandt,

“Type History” by J.F. Porchez,

“A Constructed Roman Alphabet” by J. Hughes,

“Are Serif Faces Dying” thread,

Type Design 1470—1840,

Typographic Timeline,,

“History of Type” by L. Devroye,

“Pecha Kucha on Type” by M. Meilleur,,

“History of Canadian Type Design” by N. Fabian,

“Face the Nation” (Type Design and National Identity) curated by C. Eliason,

“La stampa è mobile… qual piuma al vento?” by G. Coraglia,

Talk Typography at Wikipedia,

Macro-Typography by J.B. Piggin,,

“Print Culture 101: A Cheat Sheet and Syllabus” by C.W. Anderson,

“The Relationship Between Calligraphy and Typography in the Roman Tradition” by E. Clayton,

Overviews of Printing Types by D. Rose,

Hamilton Wood Type Museum,

“The Work of Engraver Michael Renton” by R. Steven,

P98a Berlin Letterpress Workshop,

“The Art of Wood Type” by G. Ruffa,

“Mechanicals for American Wood Type: 1828-1900” by B. Kiel,

“The Birth of a Wood Type” by S. Heller,

“Assembling the Billing Block (Movie Posters)” by B. Schott,

“Wood Bonnet Antique No.7” by A. Seidel,

“A Concise History of The Printed Book in The Nederlands” by P.G. Hoftijzer,

U&lc Back Issues to be Made Available” by A. Haley,

“Forgotten Toronto History” by K. Daubs,

“Lost Typeface Found In River Thames” by N. Wilmshurst,,,,

“The True Story of Helvetica and the New York City Subway” by P. Shaw,,

“The Origin of the Term Kerning” by I. Strizver,

“The Origin of the Sans Serif and Helvetica’s Plagiarism” by M. Majoor,

“Times New Roman History” by M. Parker,,

“Women On Keyboard: When the Lead Is Tinged With Pink” by G. Coraglia,

Beatrice Warde,,

Edu-chart by E. Bloemsma,

The Joy of Letraset,

“Rub-down (Letraset) Revolution” by J. Lamacraft,, post


Woodward’s Redsun Resources,

Doug Wilson,

Arabic Typography,

Basque (Euskara) by T. Arsaut,

History of Devanagari Letterform Design in India,, @facebook



Sereno Editore,

Matthew Carter Explains How He Came to Design His First Wood Type,

“Type as Shape”, by A. Kator,

“History of History” by P. Biľak,

“Phaestos Disk. The First Moveable Type?” by Parachute,

“Introduction to Letterpress Printing” by D. Rose,

“Letterpress” by A. Fewster,

“Hot Metal” by L. Kaehler,

“When Wood Trumped Metal: An Interview with Bill Moran” by S. Heller,

Cabaret Typographie Workshop,

Letterpress by G. Bignell,

“Little Book of Letterpress” by C. Rivers,

Bella Figura Letterpress Invitations,

Scans From Bodoni’s Books,

“Bodoni, Manuale Tipografico (1818)” by Taschen,,

“Giambattista Bodoni: Biografia” by A. Segalini,

“The Materials of Typefounding” by J. Mosley,

“How Hand Compositors Justified Lines” by P. Luna,

“Preserving Ancient Wisdom with Age-Old Printing Techniques” by J.D. Berry,

“Taiwan Craftsman Seeks to Save Printing Heritage” by D. Jou,

“The Ampersand (&)” by M. Caflisch,,,, typowiki/&,,,,,

“Evolution of the Ampersand (Esperluette)” by E. Rigaud,

“Kurrent—500 Years of German Handwriting” by R. Herrmann,—500-years-of-german-handwriting

“Cursive Writing Is Fading Skill, But so What?” by T. Breen,

“Fewer States Are Doing the Write Thing When It Comes to Cursive” by Brinkerhoff and Broder,

“Is Handwriting Analysis Legit Science?” by C. Adams,

“Computer Off, Pencil Up: Course Helps Kids Get a Grip on Writing” by K. Stanley,

Zaner-Bloser Handwriting Samples,

“Letters and Bars” by R. Espinoza,

“L.A. Graffiti On Screen and In Print” by I. Lynam,

“Tangible Typography” by B. Whited,

“Let Them Eat Comic Sans: Typographic Aristocracy and Democratization” by N. Sherman,,

The Cary Graphic Arts Collection,

WNY Book Arts Center Letterpress,,

“Legacy of Letters” by P. Shaw,

Textism by D. Allen,

“An Alphabet of History (1905)” by Nesbit and Young,,

“The Meanings of Type” by S. Heller,

“Adventures in Kerning” by J. Hoefler,

“KernStepper” by L. Schneider,,

“The Typographic Modern” by R. Giampietro,

Animated GIFs Illustrating the Art of Japanese Wood Joinery”,

“Great British Printers” by C. Archer,

“Great British Type Designers Stamps Concept” by D. Scott,

“Elzevir Letter” by J. Mosley,

“Dutch Type” by J. Middendorp,

Dutch Government Corporate Typeface Rijksoverheid,,

“Reviving Caslon, Pt.1 and Pt.2” by W. Berkson,

“Tallone Fonts” by E. Tallone,

“The Art of Founding Type” by J. Downer,

“Scotch Roman” by J. Mosley,

“Old English, a Query” by J. Mosley,

“Proto-neoclassical Roman” by J. Hudson,

“Jan Tschichold: A Titan of Typography” by R. Hollis,

“The Fell Types” by I. Marini,

“Printers Guide to Europe” by C. Archer,

“In Dreams (About Collecting and Wonder)” Design Observer Podcast, by Bierut and Helfand,

Historic Typefaces by Walden Font Co.,

1923 ATF Specimen Book,,

Woody Allen’s Typography,

“San Serriffe” by B. Sans,, @guardian, @wikipedia, @museumofhoaxes

“Face the Nation: National Identity and Modern Type Design 1900-1960” by C. Eliason,

“Beyond Typographic Hierarchy and Into the Art of Typography” by D. Whitbread,

20th Century Type Designers handout,

Computer History,,

IBM Composer Pavilion (DTP Before the Computer),

Incunabula, Dawn of Western Printing,

Istitut d’Histoire du Livre bibliography,

Berlin Museum of Letters,

Briar Press Letterpress Community,

Rencontres Internationales de Lure,

Historical Type and Lettering Pool,

Copyright, IP and Licensing


End User License Agreement (EULA),,

EULA Chart,

“Why Typefaces Proliferate Without Copyright Protection” by B. Fry,,

Typeface As Program: Interview with Erik Spiekermann” by J. Lehni,

“Thoughts on Web Licensing” thread,

“Cory Doctorow On Copyright and Piracy” by Laughland and Bennett,

“Why Copyright Needs to Change” by P. Le Dieu,

“Fair Use at Work in the Visual Arts” by CMSI,

“Fair Use Doctrine and Copyright Law” by A. Larson,

“Pricing & Ethical Guidelines” by Graphic Artists Guild,

“Why Google Web Fonts Aren’t Really Open Source” by M. Butterick,

“Source Sans Pro: Adobe’s First Open Source Type Family” by P. Hunt,

“Font Distribution and Marketing: foundry, reseller, solo” by S. Coles,

“Library Subscriptions: The Future of Fonts? Shall We Sing or Cry?” by S. Coles,

“What Kind of Fonts Can I Safely Use While Designing Logos?” thread,

“Educating Students About Font Licensing” by I. Kupferschmid,

“Fees and Royalties Experience” thread,

“Fonts and Legal Issues” thread,

“I Read All the Small Print On the Internet and It Made Me Want to Die” by A. Hern,

“What Is the Reason For the High Pricing of TEFF’s Fonts” by S. Coles,

“How Long Does It Take For a Font to Become Public Domain?” by T. Phinney,

“The Business Side of Fonts” by A. Remoundakis,

ATypI Five Basic Rules for Buying Fonts,

“Is It Realistic To Want To Start Up a Type Foundry?” by J. Middendorp,


Font Designer’s Rights Coalition,

Font Embedding,

Adobe Type Licensing Information,

SIL Open Font License,

The Anonymous License,

Creative Commons (cc),


Dedicated Linkography,


Dedicated Bibliography,

Information Design

Dedicated Linkography,

Font Browsers

Ergonis PopChar (Mac, PC),

Unicode Font Info (Mac),

Morrison FontVista 2.1 (Mac),

Lemke FontBook 4.4 (Mac),

Dreystone Font Safari 1.0 (Mac),

Neuber Typograf 4.8 (PC),

MyFontbook (online),

Typetester by M. Dugonjić (online),

Wordmark It by F. Özkaramanlı (online),

Font Path Viewer by D. Sayers (online),

Fount Javascript Webfont Identifier (online),, javascript

Chrome WhatFont Font Inspector,

VFB QuickLook Plugin,

Web Font Specimen,

Fontstand (Mac),

FontShop CS Photoshop (plugin),

FontBook (iPad & IPhone),

Typography Insight (iPad),

Elementar Bitmap Font System (iPad),

Photolettering (mobile),

FontShop Plug-In (Photoshop),

FontGazer Plug-In (InDesign),

Typetester Gallery,

Vertical Metrics Tool by J. Janeček,


Fontpair Google Fonts,

Fontjoy Google Fonts,

Femmebot Google Fonts,

Discover.typography by H&Co, 

Try.typography by H&Co,

Font Management

Insider FontAgent (Mac),

Linotype FontExplorer (Mac, PC),

Extensis Suitcase (Mac, PC),,

FontShop FontCase (Mac),, blogpost

High-Logic MainType 1.1 (PC),

AMP Font Viewer (PC),

Proxima FontExpert (PC),

X-Fonter (PC),

Morrison FontDoctor 7.1 (Mac),

CreativeTechs Font Managers reviews,

“Font Management” by J. Sacks,

“Font Asset Management and Workflow” thread,

Font Editors



FontLab (Mac, PC),,,

FontForge (Mac, PC, Linux),

Font Remix Tools,

RoboFab,; “RoboFab Basics” by B. Kiel,



MetricsMachine and Prepolator,


Autopsy Visual Font Auditing,

AFDKO (Adobe Font Development Kit for OpenType),,,

DTL FontTools,

LS Cadencer Tools,

iKern Tool for Autospacing and Autokerning,

“Font Remix Tools” by T. Ahrens,

“Interpolation Theory” by L. de Groot,,

“Meek Typographic Synthesizer” by Meek and Müller,

YourFonts Handwriting,

FontStruct,, introduction, review



Glyphr Studio HTML, 

“Font Software Timeline” by P. Amado,

Type Size & Conversions

“Father Truchet, the typographic point, the Romain du roi” by André and Girou,

“Type Units, Dimensions and Names (Type specimen facsimiles)” by Dreyfus,, p.71

Typographic Unit Conversions,,

Responsive Typography Demo,

Optical Size Calculator,

Type Scale Visual Calculator,

Modular Scale,,

Golden Ratio Size/CPL Optimizer,

Font Size Conversion Chart,,

Technical Support


Unicode Character Code Charts,,,,

Unicode Character Search,

Graphemica Unicode Browser,

AOTS (Annotated OpenType Specifications),

Pan-European WGL Character Set,, WGL-character-set.pdf,

MUFI, the Medieval Unicode Font Initiative,

ASCII (American Standard for Information Interchange),



“The Hidden Glyphs In Your Fonts” by R. Herrmann,

“The Concept of the Font” by Acharya,

Kerning Text,

“The Three-Letter Approach to Kerning” by I. Strizver,

iKern Tool for Autospacing and Autokerning,

Make Kern File InDesign Script,

Font Inspector Analytics .py,

Letter Frequency Meter,

TypeIt Online Diacritics Keyboard,

Qwerty Keyboard Layout,

How To Change Keyboard Layout in Windows,

Windows Keyboard Layouts,

“OpenType Font Production” by K. Luecke,

OpenType Unfolded,,, 

Basic Set of Characters Needed in a Non-Roman Font,

Village—OpenType Kerning,

“Font Family Naming in FontLab” by A. Twardoch,

“Font Naming & OT Production” by K. Luecke,

“Giving and Receiving Design Feedback” by G. Leonidas,

FitText Web Plugin,

vfb2ufo Font Converter,

How To Take a Screenshot,

How to Install Fonts,

“Managing Fonts on OSX” by Extensis,


Character Palette in Leopard,

Using Fonts with OSX, 10.3 Panther; 10.4 Tiger

MacOSX Fonts List, 10.3 Panther; 10.4 Tiger

Standard Windows Fonts,,

Fira OS X.10 System Font Replacement,

iOS Fonts,

Matrix of Fonts Bundled with Mac and Windows OSs, MS Office and Adobe CS,

Arabic Fonts for Mac,

“Get Typographically Correct Text from Word (.doc)” by I. Strizver,

PDF Standards,

Certified PDF,

Fiery VUE Printing by EFI,

“TrueType & PostScript Type 1: What’s the Difference?" by T.W. Phinney,

Standard 35 PostScript Fonts Built Into PostScript Printers,

Win Central and East European Fonts and Keyboard Drivers,

“WPF Microsoft Font Selection Model” by Leonov and Brown,

AIGA Use of Fonts,, eight-golden-rules.pdf

Adobe Products,,,,

   Adobe Support,


   Acrobat X Essential Training,

   InDesign Help Resource Centre,

Adobe Optical Size,


OS X Features and Shortcuts,,

Media Training UK Courses,

Ergonomics Human Centered Design,

Designer’s Toolkit,

DTP Tools,

DTP File Release Checklist,

Quite PDF Editing Plug-ins,

Quite Imposing Guide,, introduction.pdf

CometDocs Free Online File Converter,

Zamrar Online File Converter,

Fileminx Online File Converter,

PDF to Word Converter,

Online epub PDF Converter,


Permament Press Filter,,

Image Resolution,

Nitro PDF Editor (Windows),

PrimoPDF Browser Plugin,

Shubert PDF Browser Plugin,

Shubert Word Browser Plugin,

PostScript Print Driver (P .pdf),; Windows

MyFonts International Typography,

List of Typographic Features,

OpenType User Guide for Adobe Fonts,

OpenType Feature Support in Applications,

“OpenType Stylistic Sets” thread,

“OpenType Glossary” by J.F. Porchez,

“Webfonts Support” by L. de Groot,

“Webfonts with Stylistic Sets, Notes & Observations” by Hoefler & Co.,

Compatibility Tables for Features in HTML5, CSS3, SVG, etc.,

“Automatic Page Numbering” by I. Strizver,

“Fraction Fever” by T. Leming,

“Rich Black vs. Plain Black” by D. van Holten,

“InDesign Black Output on PDF Export” thread,

InDesign Tabs and Nested Styles Tutorial,

InDesign Scripts by D. Rodney,

+0.25% .js Type Sizer InDesign Palette by van Blokland and Ford,,

“Multiple Character Styles Script” by T. Silkjaer,

“Good Designers Redesign, Great Designers Realign” by C. Moll,, web-skills.pdf

InDesign Scripts by T. Silkjaer,

Rutgers Guidelines by C. Hedrick,

Ergonis Typinator,

Proportionbar by W. Adams,;, proportionbar-Mac.sit

“How to Use Angled Guidelines in FontLab” by J. Buivenga,

FontLab Keyboard Shortcuts,

Diacritics Project by F. Blažek,

“On Diacritics” by D. Březina,,

“Problems of Diacritic Design” by V. Gaultney,, principles

“Designing Accents and Diacritics FontLab Tutorial” by V. Gaultney,

“How NOT to Draw Accents” by D.J. Ross,

“Diacritics for Small Caps” thread,,

“Context of Diacritic, Languages” O. Jób,

“Cedilla vs Undercomma Debate” thread,

“Good Tilde Design” by M. Stuckwisch,

“Ð/ð and Þ/þ; The Icelandic Language” by A. Kandal,,

The Language of Šekspīrs (on EU Diacritics),

“The Quote-like on the Keyboard” by Peterson and Hallmundur,","

Ten Typographic Mistakes Everyone Makes,

“Workhorse” definition,

Font Language Coverage,

Notes on Underware Latin Plus,

Languages Supported by Latin-1 Encoding (ISO 8859-1),,

Language Support Glyphs,

ISO 8859-1 (Latin-1) Character List,,, 

The ISO 8859 Alphabet Soup,

“World-Ready Composer in Adobe CS4” by T. Phinney,

“Typographic Bilingualism: the coexistence of Chinese and English texts” by K. Tam,

“A Descriptive Framework for Chinese–English Bilingual Typography” by K. Tam,

“Chinese Character Identification” by K. Lunde,

“How do the Japanese write, exactly?” by T. Izumo,

Japanese Kerning (“Metrics Roman Only”),

“African Language Support” thread,

Hebrew Typography Group at Typophile,

“Arabic-Latin Combinations (Multi Language Fonts)” thread,

“Multilingual Text” by K. Mansour,

“Typography For Lawyers” thread,

“Bank Statement and Invoice Design” thread,

“Politic and Type” thread,

Language Characters Required Samples,

“Gentium – a Typeface For the Nations” by V. Gaultney,

“Representing IPA phonetics in ASCII” by E. Kirshenbaum,

Phonetic Fonts,

Omniglot Tower of Babel,

Monotype Language Control,

SIL, Computers and Writing Systems,


Technical Writing

For Your [Typographic] Information,

“Flawless Typographic Checklist” by J. Shoaf,,,,

“Typography Checklist” by I. Strizver,

“Tech: Book Design” by D. McMurrey,

“The Print Clock: A Method for Dating Early Books and Prints” by S.B. Hedges,

“The Keyboard: A Tool Kit” by M. Kisman,

“Information Design Is Typography” by O. Reichenstein,

“How (Not) to Write Like a Designer” by Core77,,

“Designer As Publisher” by R. Kinross,

“Prolegomena to Library Classification” by S.R. Ranganathan,

“Advice to Autors On Preparing a Manuscript” by Taylor and Francis,

“Thinking Outside the Inbox” by A. Cooper,,

“Three Typefaces for Mathematics” by D. Rhatigan,

“From Font Designer to FontLab Studio” by A. Twardoch,

“The Evolution of Composition Technology” by A. Frutiger,,

“Two Spaces After a Period: Why You Should Never, Ever Do It.” by F. Manjoo,

“To Double-Space or Not to Double-Space…” by J. Felici,

“Differences, Pros and Cons Between Metric and Optical (Adobe CC)” thread,

“Do Typefaces Really Matter?” by BBC,

“Koran and Unicode a Calligraphy-Typography Conflict” by T. Milo,

“Timepiece Rounded OpenType Clock” by Inostudio,

“Text Messaging SMS Turns 20” by J. O'Mahony,

“CRI Medicine Labelling” by D. Sless,

“What Semiotic for Design?” by S. Zingale,

“Semiotics and Writing Systems” by A. Proskurina,

“Visualizing Algorithms” by M. Bostok,,

JTHTL Journal on Telecommunication and High Technology Law,

Bloomerang Terminal Screen wiki,

Diagram of an Offset Press,

Proofreaders’ Marks,

“How Much Are Books Proofread Before They Are Published” thread,

“Why Some Texts on Book Spines and Bottles Read From Bottom to Top” thread,

DYMO Embossing Type Labelmaker,,,

247 Web Usability Guidelines,

File Format Info,,

PNG (Portable Network Graphics) format,,


XMP Extensible Metadata Platform,

InDesign Keyboard Shortcuts,

Adobe Accessibility Standards,,

Preparing InDesign Files for Accessibility,

“DPI for Dummies: Images on Mobile Devices”, by C. Cohen,

“Should I Subset Fonts When Making a PDF?” by E. Bruno,

“Navigating Today's Signs“ by M. Hora,

“Symbol Signs” by AIGA,,

“Logotype Guide” by K. Woodward,

“PhD in Small Caps” thread,

“Rivers of White” definition,

UTF-8 Miscellaneous Symbols and Emojii,,

“Index, Pointing Hand/Fist or Manicule” ,

“What’s a Ligature, Anyway?” by R. Herrmann,

“Typesetting Mysteries Demystified” by I. Strizver,

“God (or Devil) in the Details: Text Typography” by K. Tam,

“Screenplay Typography Project” by K. Tam,

Review of Adobe InDesign CS2,

“Origin of Music Notation (Music Theory)“ by B. Blood,, manuscript-paper, theory-index

“Default Systems in Graphic Design” by Giampietro and VanderLans,

“Xerox Scientist Finds Meaning in How Documents are Presented” by B. McKee,

“Open Source Architecture Manifesto” by C. Ratti,

LCM/GCF Least Common Multiple,,

Sequential or Progressive Numbers in Formulas Rows Function,

Text Cleaner Functions by TextSoap,

Exponent (Power),

Multipurpose Internet Mail Extensions,

ISO Standard Paper Sizes,,,,

Foundations of :

  Design and Print Production,

  Web Design,

  Video Design and Production,

“New to DTP” thread,

Acrobat Printing Guide,

Understanding and Working with Print Signatures and Folding them Into a Booklet,

Office of the Yale University Printer,

“Dictionary Design Bibliography” thread,

History of Dictionaries,,,

“The Art of Details” by B. Warren,

“Glossary of Internet and Web Jargon” by UC Berkeley, 

“Logo, Bullshit & Co., Inc.” by O. Reichstein,

“Sans Bullshit Sans” by R. Nieskens,,,

“Font Haking” by H. Pickering,



Metafont Computer Language,

WordPress Tips and Tricks,

Web Design Resources at ScrunchUp,

“Responsive Web Design Guidelines” by Smashing Editorial,

“Microtypography, Designing the New Collins Dictionaries” by P. Bilak,, italian

“MacOS X Üzerinde Türkçe Yazım (İmlâ) Denetimi” by M. Bakunin,

“Grammar of Comic-book Typography” by N. Piekos,,

“Kerning Features in QuarkXPress and InDesign” by I. Strizver,

Metric Kerning vs Optical Kerning,

“Word, Quark or InDesign; It’s Assumed You Care About Design…” by D. Williams,

“About Digital Comics” by Y. Bigerel,

The Euro '€' Symbol,,,,;

International SignWriting Alphabet (ISWA 2010),

“Beta-testing Type: Print Proofing” thread,

QR-Code (Quick Response Code) wiki,,

” End-of-transmission symbol,

“Bar Coding” by J. Rongitsch,,, universal-product-code

“Default UI” by F. Özkaramanlı,

“Chartwell Infographic Font” by T. Kochel,,

Machine Tags for Type,

Editorially (Collaborative Writing),

Font Formats

“About Font Formats” by D. Maag,

“Font Formats” by A. Segalini,

Font Formats Overview by Adobe,

Multiple Master Fonts,,,,

“Font Rasterization: the State of the Art” by R.D. Hersch,

“The Death of The Pixel Font” by Z. Fernando,

“Best FL TrueType Export Setting” thread,

Typotheque OpenType Online Font Tester,

Bitmap,,, raster-12-2048,

True Type,


The OpenType Font File Structure,

“OpenType Glossary” by J.F. Porchez,

“Type Rendering: Font Outlines and File Formats” by T. brown,

“TrueType Versus Postscript”,

“The Hidden Glyphs In Your Fonts” by R. Herrmann,

“The Difference Between OTF and TTF Fonts” by M. Simonson,

WOFF,, w3.or/proposal,

Language Coverage,

Variable Fonts

“Introducing OpenType Variable Fonts” by J. Hudson,,

“Introducing OpenType Variable Fonts” ATypI 2016 Warsaw Panel,,,

“Variable Fonts & The Future of Web Design” by J. Pamental,

“Typographic Potential of Variable Fonts” by B. Berning,,

“From Modular Scales to Variable Fonts” by S. Kellum,

“User Interface in Type Design, Opportunities in Variable Fonts” by S. Orozco,

TypeNetwork Opentype Font Variations,


TrueType Hinting by Microsoft,

Hinting at Typowiki,

Hinting at MyFonts,

AAT Font Quality Specification ,

“Basic Hinting Philosophies and TrueType Instructions” by V. Connare,

“TrueType Hinting and Font Rendering” by T. Rickner,

“TrueType Hinting” by T. Penney,

“TrueType Hinting at ParaType” by E. Yakupov,

“Hinting TT OpenType Fonts” thread,

“Font Rendering” by M. Duggan,

“Autohinting in FontLab Studio” by A. Twardoch,

“To Autohint, or NOT to Autohint” thread,

“Of Hinting and Tables” by B. Maag,

“The Raster Tragedy at Low Resolution” by B. Stamm,,,

DirectWrite For Text Rendering,

“Hinting in FontLab and Fontographer” by N. Fabian,

“How To Make TrueType Hints Less Boring” by F. Grießhammer,

“It’s Not Just Fonts” by B. Hill,

“Lo-Res Design History” by Z. Licko,

“How To Set Hint Replacement Correctly” thread,

“Software Developer, the Pleasant Monospace” thread,

“Source Code Pro Adobe Open Source Monospaced” by P. Hunt:

“Monospacing: Pitch Design Information” by K. Sowersby,

“Hints, Good or Bad” thread,

“When Is the Better Time to Hint” thread,

“CorelDraw-FontLab Problem” thread,

“Hinting and Metrics Problem” thread,

“Hinting and the Printing” thread,

“Different Kinds of Hinting” by P. Biľak,,

“Hebrew & ttfautohint” by O. Livni,

“Font Hinting and the Future of Responsive Typography” by N. Sherman,,


Legibility vs. Readability,

Science of Word Recognition,

“Physiology of Reading (Minuscule Project)” by T. Huot-Marchand,

“What Is the Most Important OS” by B. Hill,,

“The Magic of Reading” by B. Hill,,,

Adobe “Taking It In”,

“Deconstruction” by Lupton and Miller,

“Bouma as Bounded Map”,,

“Large vs. Small Type Sizes”,

“Does a Large x-Height Make Fonts More Legible?” by R. Herrmann,,

“Gestural Exercises: Excursions into the Visual Cortex and Design” by P. Enneson,, slides.pdf

“If it’s Hard to Read, it’s Hard to Do” by Song and Schwarz,,

“Studies of Typographical Factors Influencing Speed of Reading” by Paterson and Tinker,

“Hygiene of Reading” by E. Lupton,

“Text Treatment and the User Interface” by T. Komischke,

The Neural Basis of Reading,

“The Evolution of the Human Eye” by S.D. Pitman,, müller-cells.jpg

“An Essay Towards a New Theory of Vision” by G. Berkeley,

“The Psychology and Pedagogy of Reading” by E.B. Huey (1908),

“The Aesthetic of Reading” by Larson and Picard,

“Kevin Larson On the 2013 Morris Experiment” by S. Coles,

“Features for Identification of Uppercase and Lowercase Letters” by D. Fiset,

“Impaired Visibility Typeface Test Report” by S. Egger,

“How to Measure Typographic Accessibility” by S. de Rozario,

Reading Online Text,

Why People Don’t Read Online,

“The Effects of Onscreen Typeface Personality” by R. Hazlett,

“Perception of Fonts: Personality Traits and Uses” by Shaikh et al.,

“Emotion and Attention in Cortical Responses to Written Words” by Bayer et al.,, .pdf

“Guidelines for the Label and Package Leaflet of Medicinal Products for Human Use”,

“Designing Effective Medicine Labels for Hong Kong Citizens” by Kwok and Tam,

“Letter Case and Text Legibility in Normal and Low Vision” by Arditi and Cho,

“Type Design for Children with Low Vision” by R. Hermann,

“Easy to Read, Easy to Do” by Song and Schwarz,,

“How To Train Yourself To Speed Read” by C. Dobrin,

“Does a Large x-height Make Fonts More Legible?” by R. Herrmann,

“A Rant on Typography and Spacing” by B. Gardner,

“What Makes Some Fonts More Readable Than Others” thread,

Rate of Reading Test,

“Character Spacing as Defining Factor for Legibility” by D. Pelli et al.,

“Good Legibility Tests For Typefaces” thread,

“Il1 Test”

“A Typeface For Reading” by R. Waller,

Flesch Readability Index,

“The Visual Nuclei Hypothesis” threads,,,,

“Which Are More Legible: Serif or Sans?” by A. Poole,, threads

“The Science (and Feeling) Behind Fonts” by M. Cho,,

“How Typefaces Influence the Way We Read and Think” by C. Gayomali,


“Designing the Ultimate Wayfinding Typeface” by R. Herrmann,,, .pdf

Clearview Highway Typeface,,,,,

“Reading and Driving” by V. Hanlon,

“British Motorway Signage System” by Kinneir and Calvert,,

Max Kerning, the Man (Not the Idiot),

Typography for Children,

Graffiti Comic Strip by P. Selby,; comments

“Typeface for a School Book” thread,

“ADD and Words per Line (Design for Attention)” by L. Powell,

Type-Syntactic (poetry: layout to read slow) by J.B. Piggin,,

“Balancing Typeface Legibility and Economy” by V. Gaultney,, principles

“Stat Type Family Development” by J. Kožuh,,

“It’s All Down to How Fast You React” by J. Petre,

“Fonts and Authority Perception” thread,

“On Reading With a Theme” by M. Brown,;

“On the Typography of Flight-Deck Documentation” by A. Degani (1992),

“Scientific Reasons People Are Wired To Respond To Visual Marketing” by A. Tate,

“Voters Annoyed by Hard-to-Read Ballots” by M. Grynbaum,

“On Dowding’s ‘Finer Points of the Spacing and Arrangement of Type’thread,

“Do Readers of Chinese Get Dyslexia in the Same Way English Reading People Do?”

Read Regular,

“Grover” by S. Castle,

“Letter Misrecognition for General, Children, Dyslexic, Visually Impaired and Ageing Readers” by T. Bohm,

Mencap by FontSmith,,, press

“Busting The Dyslexia Myth” by Nicotra & Maag at ATypI São Paulo,

“Georgia Pro and Verdana Pro” by M. Carter,,,

“Avería, The Average Font” by D. Sayers,

“What Font Saves the Most Ink” thread,

Spritz (Reading Reimagined),, thread

Alphabetic Letter Similarity Matrices,

Eye Chart,,,,

“Optotypes, Eye Charts in Focus” by Frear and Hoefler,

Gaze Movement and Focal Points,

Eye Movement References,

AdeLE Eye Tracking Prototype,

Retina Typeface Specimen,,,,

“Eye Tracking (Gaze Paths) Are Strongly Influenced By Given Instructions” by S. Weinschenk,

“How Much the Eye Tells the Brain” at E. Tufte,,

Design To Read Resources,

Letter Identification,

Screen Web Typography

“The Elements of Typographic Style Applied to the Web” by R. Rutter,

“Web Typography Sucks” by Rutter and Boulton,

“Layout” at A List Apart,

“Digital Is Not an Excuse for Bad Typography” by R. Fink,

Typography Is Impossible” by M. Wichary,

“Typography Is Important” by V. Vasinov,

“Tim Brown on More Perfect Typography” by Y. Peters,,

“More Meaningful Typography” by T. Brown,

“On Web Typography’ by J. Santa Maria,

“Nice Web Type” by T. Brown,,,

“Print and Web Typography in Design Education” by by A. Papaelias,,

“A Look Into Better Typography for Modern Websites” by J. Rocheleau,

“Pixel-fitting” by D. Curtis,

“Molten Leading (or, Fluid Line-Height), by T. Brown,, demos

“Fluid Grids, Orientation & Resolution Independence” by M. hurrell,

“What if Testing Was a Part of the Design” by S. Ruluks,,

“Art Direction and Design” by D. Mall,

“Using System UI Fonts In Web Design: A Quick Practical Guide’ by M. Wichary,

“Bringing Responsiveness to Apps” by O. Reichenstein,

“Responsive Typography is a Physical Discipline […]” by N. Sherman,

“Live Font Interpolation on the (Responsive) Web” by A. Johnson,

“The Web’s Grain” by F. Chimero,,

Responsive Typography Demo,

Responsive Measure jQuery Plugin for Responsive Typography,

Syntax for OpenType Features in CSS (liga, smcp, onum, etc.),

Apple San Francisco Fonts,,,,

Typeplate Web Typography Starter,

Aloha Editor,


SASS Syntactically Awesome Stylesheet,

Stacey Lightweight Content Management System,

Writer for iPad,

Flash Player v.10 Text Engine,

Web 2.0 Howto Design Style Guide,

W3C Specification: Fonts,

WOFF by WebFonts Working Group,,

“Chester Jenkins on Webfonts” interview with Eye Magazine,,

Java 2 Platform SE 5.0 Class Font,

CSS Font Stacks Roundup,

Webydo Code-free Website Design,

Fount Javascript Webfont Identifier (online),, javascript

“.webfont Proposal by Leming and van Blokland,; proposal, post, metadata, foundries

“Revised Web Fonts Proposal” thread,

“Getting the Hang of Web Typography” edited by M. Müller,

“Introduction to The Web Standards Curriculum” by C. Mills,

“Characteristics of Type on the Web (WSG3)” by Lynch and Horton,

“Type Rendering: Review, and Fonts That Render Well” by T. Brown,

“Type Rendering: Font Outlines and File Formats” by T. brown,

“A New Decisive Step Towards More Typographic Diversity on the Web” by Y. Peters,

“Setting Type for (UI) User Interfaces” by B. Whited,

“Books That Are Never Done Being Written” by N. Carr,

“E-Reading Rises as Device Ownership Jumps” by Zickuhr and Rainie,

Webfontday Conferences by TGM,

Typotheque Web Font Service,, principle

“The Different Faces of Type (Hinting, Raster and Platforms)” by K. Lueke,

“Material Honesty on the Web” by K. Goldman,

Scroll Magazine,

Hot To Improve Web Typography,

Redability Tool for Web Browsers,,, javascript,

ClearType,,,,,; fonts-preview

Crisp Text for Google Chrome,

MS Nina, Verdana and Tahoma Compared,,

Jeffrey Zeldman Web Design Manifesto,

247 Web Usability Guidelines,

“Typewolf Webtype Examples” by J. Shoaf,,

“Windows Vista Fonts Compared to Typical Web Fonts” C. Montoya,

“Enhancements to Georgia and Verdana Typeface Families” by B. Davis,

“Georgia Pro and Verdana Pro” by M. Carter,

“The Best Online Reading Experience” by S.D. Quinn,

“Web Style Guide” by Lynch and Horton,

“Information Design Is Typography (Web Design Is 95% Typography)” by O. Reichenstein,

“Guide To Web Typography” by J. Boardley (iLT),

“Font Metrics and Vertical Space in CSS” by T. Brown,

“Inspirational Typography in Web Design” at Pattern Tap,

“Writing Style for Print vs. Web” by J. Nielsen,

“Baseline Framework” by ProjectUrbain,

“Setting Type on the Web to a Baseline Grid” by W. Miner,

“O-rule + Golden Proportion fpr Calculating the Gurre in the Grid” by v. Carrer,

“Typography On the Web” thread,

“The Typography-out Approach In the World of Browser-based Web Design” by E.J. Stocks,

“BBC World Service Language Websites: User Experience and Typography” by K. Çanlıoğlu,

“What Makes Someone Leave a Website?” by J. Brockmeier,

“The Ultimate Usability Resource Roundup Posts” by J. Creech,

“The Hazy Future of Web Typography” by C. Foresman,

“Unreadable” by J. Clark,,

“Readable Web” by R. Fink,

“Markup & Style Authorship” by T. Brown,

“Perfectly-sized Web Graphics” by M. Golding,

“Pixel Proliferation Toolset” by Punchcut,

“Moving From Print To Screen” by J. Clark,,

“The Web Leaders Hate Typography (But Not For Long)” by S. Godin,

“Hypenation Arrives in Firefox and Safari” by Fontdeck,

“Better Justified Web Text” thread,

“Hyphenator.js” by Google,

“TeX Line Breaking Algorithm in JavaScript” by B. Stein,

“Hypher” by B. Stein,

“@font-face Observer” by B. Stein,

“Bibliotype, Longform Base Typography for Tablets” by Craig Mod,

“Wordlings in a Web 2.0 World” by C. Lee,

“Golden Age of Type Blogs” at Eye,

“Type Study: An Example of Lettering.js” by T. Walton,

“Stricking Web Sites With Font Stacks That Inspire” by V. Vivian,

“Harboiled Web Design” by A. Clarke,

“How People with Disabilities Use the Web” by W3C,

“Controlling Web Typography” by T. Walton,

“Typographica Redesign” by T. Brown,

“In Defense of Readers” by M. Brown,,

“Fuck the Foundries” by M. Pilgrim,

“What Led to the Popularity of Proxima Nova by Mark Simonson” thread,

“Thoughts on Web Licensing” thread,

“iPad: Kids, Brand Expression and Archetypes” by T. Girvin,

“iPad Apps for Typography Fans” by M. Garcia,

“iPad Blows Kindle Out of the Water” by B. Hill,,

“The iPad's Screen Under the Microscope” by L. Mathis,

“Panel Discussion About the Design of E-Books” with P. van Blokland,

“Unbound [eBook] Pages” by J.D. Berry,,

“About Those Vector Icons” by K. Grouchnikov @kirillcool:

“Perspective in Icon Design” by V. Tran,

“Hand Drawn Icons” by V. Carrer,,

“Robin Nicholas, Creator of Arial, Comments on Web Fonts” by P. Serrão,

“Web Fonts At TypeCon 09/10” summaries,, @readableweb, @ilovetypography, @flickr

“Web Fonts” by D. Berlow,

“Screen Fonts: An Abbr. Hist.” by D. Berlow,

“Webfonts Support” by L. de Groot,

“The Changing Typography of the Web” D. Netburn,

Azuro” by Seifert and Kutilek:

“Design for a Target Experience First” by N. Ford,

“Apps For All: Coding Accessible Web Applications” by H. Pickering,

“DPI for Dummies: Images on Mobile Devices”, by C. Cohen,

“CSS Font-Feature-Settings OpenType Demo” by R. Rutter,

Punctuator RSS Feeds and Punctuation Marks by K. Çanlıoğlu,

FitText Web Plugin,

Font-To-Width Script,

Webfont Service Providers,

Web Fonts Awards,

@font-face,, screenshot,

“The Essential Guide to @font-face” by J. Johnson,


Adobe Partners With Typekit,, Web Fonts Tutorial,

Google Font Directory,, post

“How Google Designed an E-Book Font For Any Screen: Literata” by Google & TypeTogether,,

Monotype Spark Bitmap Solution,

Ubunto Font Family and Website Guidelines,,

Typecast for Monotype Imagine,,,

Mozilla Open Source Font,

ScreenSmart H&FJ Webfonts,

Fontshop on Web Fonts,,,


Webtype (“The Reading Edge Series”: a group of fonts for small sizes on screen),,


“An Overview of Web Font Services” by S. Egger,

The State of Web Type,

The Grid

Grid (Page Layout) definition,

“Grid Principles” by E. Lupton,

“The Golden Section Family” by M. Reynolds,

Golden Ratio, phi,,,

“Golden Section Illustration” by I. Gulkov,

“About Grid Systems” by D. Colley,

“Typography Is a Grid” by A. Froshaug,

The Art of The Grid,

The Grid System,,,,

Modular Scale by T. Brown and S. Kellum,,

Cedvel by F. Özkaramanlı,

InDesign Grid Calculator Pro,

“On Hybrids” by E. Block,

“Making Grids in Illustrator” by S. Ármannsson,

“Myths and Misconceptions About Grid Systems” by A. Carusone,

“Villard Diagram, Dividing a Segment In n Parts” by D. Capo,

“Baseline Grid in InDesign” thread,,

“Baseline Grid Example” by K. Tam,

“Grids Are Good” by M. Boulton,

“Simple Steps to Designing Grid Systems” by M. Boulton,

“Grids as Interfaces” by C. van den Heuvel,

“Designing & Thinking with Grids” by B. Sitek,

“The Vignelli Canon” by M. Vignelli,,

“Grid Systems” by S. Ármannsson,

The Greatest Manhattan Grid,

Hashgrid Tool,

Gridzzly (DIY Grid Paper),

Sketch Sheets for Web Designers,

“Type Specification Sheet” by J. Craig,

“jQuery Masonry” by D. DeSandro,,

“Moleskine Templates” by R. Graves,

Paper Browser,

“Pixel Proliferation Toolset” by Punchcut,

“Establishing Your Grid In Photoshop” by S. Schoeffel,

Sketching, Wireframing and Note-Taking Templates,

“Grids For Sketching” by B. Martineau,

“iAd Wireframe Stencils” by S. Boms,

“Can the Grid Really Be Broken” thread,

Book Design

“On Book Design” by R. Hendel,

“Book Typography” by Mitchell and Wightman,

“Text Principles” by E. Lupton,

“Explorations in Typography” by de Bartolo and Spiekermann,

“The Dire State of Book Typography” thread,

Tips for Top Type,,

Canons of Page Construction,

“The Golden Section Family” by M. Reynolds,

Golden Ratio, phi,,,

“Golden Section Illustration” by I. Gulkov,

“Book Design Pt.1” by J.D. Berry,

“Book Design Pt.2” by J.D. Berry,

“When Books Are Designed To Be Read” by P. Shaw,

“Incremental Leading” by M. Boulton,

“Typesetting Tables at 24ways” by M. Boulton,

“The Next Page: Thirty TOCs” by AIGA,

“Type That Keeps the Beat” thread,

“Break Up Big Blocks Text” thread,

Typeface Paring i.e. Mixing Type,,,,,

“Type Connection” Paring Game by A. Seltzer,

“Choosing a Font for Book Design” thread,

   “Font for Multilingual Books” thread,

   “Top Ten Typefaces Used by Book Design Winners” by S. Coles,

“Paragraph Rules” by Y. Peters,

“An Interview with Jim Felici” by F. Romano,

Tschichold on Dust-jackets,

“Designers Discuss InDesign Typography Tips” by P. Cady,

“Kerning Features in QuarkXPress and InDesign” by I. Strizver,

“Justification Advice in InDesign” thread,

“2 1/2 lc Alphabets; 75 to 80 Characters per Line” by W. Berkson,

“Choose a Comfortable Measure (Line Lenght)” by R. Bringhurst,,

“Consistent Correlation Between Book Page and Type Area” by J. Tschichold,

“Typesetting Mysteries Demystified” by I. Strizver,

“Book Interior Design” by D. Margulis,

Recto and Verso,

“Balancing Typeface Legibility and Economy” by V. Gaultney,, principles

Edward Tufte - “Ask E.T.”,

“The Power of a Limited Palette” by C. Bickford-Smith,

“Book Art & History” by C. Knops,

“Roycroft’s Journey” by E. Carter (Dædalus, Virginia),

“How to Write a Book Proposal” by E. Lupton,

“Oddest Book Titles” by A. Flood,

“Word Spacing in InDesign” thread,,

“Digital Is Not an Excuse for Bad Typography” by R. Fink,

“Islands of Thought in Macrotypography (Linespaces vs. Indents)” by N. Ford,

“Like a Pearl in My Hand” by C. Hesper,

MA Book Design University of Reading,

The Making of a Letterpress Book,

Joe Kral's Book Collection,

he Designer’s Review of Books,, @apolaine

Old-Timey Paperback Book Covers,

Book Covers Blog by C. Papasadero,

NYTimes Book Design Review,

Book Covers by David Pearson Design,

Brian Dettmer Book Art,

Octavo Editions,

Pagehand Word Processor,

Book Scanner ScanRobot by Treventus Mechatronics,

Books About Watermarks by Oak Knoll,

Checklist of Aldine (Aldus Manutius) Editions Owned by BYU,

“A Tribute to the Printer Aldus Manutius, and the Roots of the Paperback” by J. Schuessler,

Euclid’s Element of Geometry,

The Typographic Mind,


“¿Conoces el BOOK?” by PopularLibros,

DTP Tutorials,

DTP Forum,

Prepress Forum,

Book Design Tips,

Photopolymer Platemaking by Hand,

InDesign Scripts by T. Silkjaer,

Quite Imposing Guide 1.2,

Understanding and Working with Print Signatures and Folding them Into a Booklet,

“Page Maker Past, Present, and Future (A Brief History of Publishing)” by P. Adams,,

Mag+ “Reading Magazines on Handheld Digital Devices” by Bonnier and BERG,

Flipboard for iPad,

Calaméo Publisher and Browser,

Kindle II,,,

“Networked Optimization” by S. Lorusso and S. Schmieg,

A Look at the New Digital Version of Wired Magazine,

“Investigation Into the Physical Properties of Books (1910–1919)” by W.A. Dwiggins,

“Unbound [eBook] Pages” by J.D. Berry,,

“Why E-Books Look So Ugly” thread,,

“Is the Future of the Book Digital” thread,

“Introducing the Book (from ‘Øystein & Meg’)” by NRK,,, @zarius, @facebook-ieu-vcd

“Making Their Mark” by A. Tribe,

“The Transition from Printed to Electronic Book” by ONP,

“Books In the Age of the iPad” by C. Mod,, @facebook

“Hack the Cover” by C. Mod,,

“The Reading Brain in the Digital Age, Science of Paper versus Screens” by F. Jabr,

“What Amazon’s e-Book Strategy Means” by C. Stross:

“Students Demonstrate Innovative iPad Book Page Flip” by K. Hodgkins,

POD/ODB, OnDemand-Books,,,,,

Risograph Zine:,

“The Reinvention of Print, One App at a Time” by C. Warren,

“History, Digitized (and Abridged)” by K. Hafner,

“The Future of the Future of the Book” by S. Heller,

“You Can Read This Book In Your Browser Window” by K. Schwab,

“Faber Finds Generative Book Covers” by G. Lucas,

“Typography Is About Reading – And So Are e-Books” by P. Luna,

“What Is Reading? An Excerpt from Reading for Understanding” by C. Cziko et ali,

“The Solid Form of Language” review by J.D. Berry,

“Music and Early Language Acquisition” by R. Slevc et ali,

“Introducing the Book (and the book-Book)“ by NRK & IKEA,,,, post

“Friends Make Books” by J. Miceli,

“Open Book Workshop” by van Dyke and Unikel,

Twitter Book by Ether Press,

ILAB League of Antiquarian Booksellers,

SHARP Society of Authorshio, Reading and Publishing,


Bookshelf Porn,

Book News,

P-DPA (Post-Digital Publishing Archive),

Book Binding


Philobiblon Tutorials,

Book Binding Introduction,


Wilsey Rare Books Glossary,

Talas Bookbinding,

Japanese Bookbinding,,

Encuadernacion de Libros,

The Making of a Letterpress Book,

How-To Bind a Hardcover Book,

How to Make a Perfect Bound Book,

Bookbinding Hand Sewn,, lesson-two, lesson-three, lesson-four

Alternative Bookbinding,,


News Designer,

Newseum,, map-view,

SND Society for News Design,,

SPD Society of Publication Designers,

“The Typography of News” by P. Hall,

“News on Paper in the Digital Age” by J.D. Berry,

Newspaper Fonts, 12/2005, 04/2007, 11/2007;

Ron Reason,

Garcia Media,

Jim Parkinson,,,

Walter Tracy,

Mark Porter,

Roger Black, “The Last Blog”,

About Impact by G. Lee,,

About Greta by P. Biľak,,

About Swift by G. Unger,,,,

About Gulliver by G. Unger,

“FF Dagny, Evolution of a Newspaper Type Font” by M.R. García,

“Fonts on the Front Pages” by Ascender Corp.,, front-page-fonts

“Newspaper Font Size” thread,

“White; ISOnewspaper26v4” by M. Kramer,

“Reading Paths on Newspaper Spreads” by Holsanova et al.,

“Best of Newspaper Design” by The Society for News Design,

“Elements of Typography” by A.V. Wagener,, feedbacks

“Newspapers Told to Shift Gears or Be Stuck in the Mud” by M. Abu-Fadil,

Phone Book Typography,

The British Library Newspapers Catalogue,

Newspaper Design Day 2006 (St Bride),

Award-Winning Newspaper Designs 2007,,

Award-Winning Newspaper Designs 2008,,,,

D&D Awards 2009,

Historical Newspapers,

“Rare Newspapers” by T. Huges,, @twitter

Collection of Chinese Masthead Clip-Art,

“Irritating Readers For Fun and Profit” by Brass Tacks Design,

“Gerard Unger Brings Atmosphere to the Front Page News” by J.L. Walters,

SF Chronicle Redesign,,,

The Times,,,,,, claritas

Äripäev,; metroflex.pdf


New York Times,,,,

New York Times Magazine,,

Corriere Della Sera,,

Guardian Collection by Barnes and Schwarts,,

Portland Press Herald “Sitting Pretty” by W. Watson,

The Boston Globe’s Brand Integration Across Media,

Redesigning the Pennsylvania Indipendent College Newspaper,

“Workflow for Newspapers” by M. Picasso,

“Il Re Designer Quotidiano” and ”IL” by F. Franchi,,,

“The Snailpaper Term” by D. Bloom,

“Newspaper Website Trends and Examples” by S. Snell,

“Make a Book From Newspaper Front Pages” by J. Mickel,

“Printing The NYT and Kindle” by N. Carlson,,

Poynter Online on Journalism,

RSS Readers,,

NYT Times Reader 2.0,,

Spectra Visual Newsreader,

Arkitex Eversify Tablet Publishing to Welcome Newspaper,, Create Your Newspaper,

Wayfinding and Signage

Wayfinding News,

“Thank You For Not Smoking” article on Signage by R. Caplan,

“Wayfinding” by K. Brandon,

“Wayfinding Systems” by L. Wyman,

“Books on Signage and Wayfinding” by R. Herrmann,

“Wayfinding Handbook” by D. Gibson,,,

“Wayfinding: Negotiating Complex Spaces” by L.T. Pham and E. Dane,

“Critical Wayfinding” by E. Lupton,

“Places Need Signs” by R. Waller,

“British Motorway Signage System” by Kinneir and Calvert,,

“Councils UK Urged to Remove Unnecessary Street Signs” by BBC News,

“London’s New Walking Wayfinding Maps” by D. Reid,

“The London Tube Map For a Multiscreen World” by J. Pavlus,,

“NYC Parks” by Pentagram,

“With No Display Map at Penn Station, Amtrak Misses an Opportunity” by A. Bernstein,

“Designers of the Signs That Guide You” by A. Rawsthorn,

“Designing the Ultimate Wayfinding Typeface” by R. Herrmann,,, .pdf

“Visual Guide to Typefaces Used On European Road Signs” by R. Herrmann,

“The Design of a Signage Typeface” by R. Herrmann,

“EGD Students Design Dynamic Airport Signage” by SEGD #8.25,

“Cities and Their Typographic Associations” by G. Johansson,,

“Walk [Your City]” by M. Tomasulo,,

“Brisbane (Australia)” by T. Leinster,

Eye Catch Signs Tactile Maps,

Curbside Haiku NYC Street Signs:, @facebook

“What‘s Your Signage” by SBDC,

“On Visiting a Warship / 防衛庁の公式ホームページが頭おかしい” by Japanese Ministry of Defence,

“Symbol Signs” by AIGA,

“Entypo Pictograms” by D. Bruce,

Sign Design Society,

Wayfinding News,

Film and Video

“Adrian Frutiger, The Man of Black and White”,

“Etched in Stone” by C. Dave,

“Feeling Good” by T.G. Connolly,

“Firefly Letterpress”,

“Carl Dair at Enschedé: the last days of metal type”,

“Heart Made of Sound” by K. Moyes,

“Monotype Work” by Kat Ran Press,

“Linotype: The Film” by D. Wilson,,

“Phototypesetting with the Berthold Diatype” by R. Herrmann,

“The Art of Hermann Zapf” in “The World of Alphabets” by H. Peter,

“The Art of the Carved Letter” by Muhly and O‘Neill,

“The Child, NYC” by A. Bardou-Jacquet,

“Introduction To the World of Fonts” by CBS,

“Analog Learning in a Digital World” by B. Maag,,

“Expression in Form, Rhythm, & Movement“ by J. Stevens,,

“Flickermood 2.0” by S. Lange,,

“Typecast” by K. Cho,

“Type Principles Introduction Through Letterpress” by L. Kiang,

“Exit Through the Gift Shop” by Banksy,,,

Abstract, the Art of Design,

Graphic Means,

Forget the Film Watch the Titles,

Movie Titles Stills Collection,

Oscar-winning Movie Fonts 2015,

“Typophile Film Festival 5 Opening Titles” by B. Barson,

“A Lesson on Typography” by the Vancouver Film School,,

“The Dot and the Line: A Romance in Lower Mathematics” by N. Juster,

“The Importance of Being Ernestine” by N. Stössinger,

“Hatch Show Print, Letterpress Shop in Nashville Tennessee” by D. Airey,

“The Beauty of Numbers” by S. Kawakami,,

“The Gutenberg Press” by S. Fry,

“Taller Ditoria” via R. Bolado,

“Such Subtle Beauty: Inside the Hammerpress Studio” by Ladesich and Vest,

“Let’s Press” by A. McLeish:

“Historia de un Letrero (The Story of a Sign)” by A. Barreda,,

“Thinking With My Fingers” by S. Doyle,

Calligraphy Movies at MVK Contemporary Museum of Calligraphy,

“The Art of Eric Gill” at FactualTV,

“Gill Sans Explained” by M. Dufour,

“Nederland Is Goed In Letters Ontwerpen” by RTL,

“Calligraphy Movies” by D. Brown,

“Letters in Steen” by M. Bekaert,

“A World Inscribed: The Illuminated Manuscript” by K. McDonough,

“The Last Punchcutter” by Affanni and Chiapparini,

“Cities and Their Typographic Associations” by G. Johansson,,

“Reverting to Type” by L. Charlie,

“Font Conference Drama” by College Humor,

“Font Fight” by College Humor,

“The Font Song” by W. Thompson,

“Fontface” by Atipo,,

“Lost Generation” by AARP,,

“Bicycle Film Festival ’09 trailer” by M. Mucig,

J’adore la Typographie,

“TXT Island” by C. Gavin,,

“Deadline” by B. Liu,,

“Colosseo Type” by Knudson and Moll,,

“PureReversal” by Build,,

“Just My Type Book Trailer” by Ramchandani and Bierut,,

“Upside Down, Left To Right: A Letterpress Film” by D. Cooke,

“Trip Print Press and The Making of FreshSox” by M. Barrett,

“Earl Kallemeyn on the Art of the Press” by P. Wall,

“Moveable Type Truck” by K. Durrie,

“Typographic Design in the Digital Domain” with E. Spiekermann,,

“The History of Typography Animated Short” by B. Barret-Forrest,

Creative Morning #13: Erik Spiekermann,,,

Saul Bass On Making Money vs. Quality Work,

Kurt Weidemann 1922–2011 (Porsche, Mercedes, Deutsche Bahn, etc.),,

James Earl Jones Recites the Alphabet,

House Industries,

REM Hollowman,

ESAD Personal Views Lectures,,

Dalton Maag Pure Reversal,

“Helvetica” by G. Hustwit,,

“Teaching to See” by I. Druckery,

“Inventing On Principle” by B. Victor,

“Ben Eine” by Graffiti Sessions,

Hillman Curtis Films,

Barnbrook Films,

David Berlow,

Gerard Unger,

“Artist Video Series Inspiration” by AIGA,,

TypeCulture Movie Resources,

“Typeface” the Hamilton Wood Type Museum Documentary by J. Nagan,,, @typefacefilm, @youtube

“Birth of a Book” by G. Milner,

Printing 1947 by Holmes Films,

Learning to Set Type 1959 by Whitten-Appleton,

Typesetting Linotype 1960 by Salesian Vocational and Technical Schools,, pt.2

33pt Eskapade Dortmund,

Kinetic Type

“Kinetic Typography” by J. Lee,

How Skywriting Works (1935 aerial Chevrolet advertisement),

Trollbäck + Company,,

Saul Bass and Harold Adler, at:, blog-entry,, typo-L,,,,

Title Sequences Interviews by Thunder Chunky,

Emotional Fractal by Levitated,

Graffiti Analysis by E. Roth,

Serial Cut,


Typogami and Moshun by Calango,,

“Wood Type” by Txaber,

“Typographic Trees” by G. Young,

“Devil's Advocate” Al Pacino's Speech,

“Stephen Fry’s ‘Language’” by M. Rogers:,,

“A Lesson on Typography” by the Vancouver Film School,,

“iQ Font: When Driving Becomes Writing” by Pleaseletmedesign,

“Chalkbot, Type On the Road” by DeepLocal and StandardRobot,

“Flickermood 2.0” by S. Lange,,

“Three Things About Islam” by The White Roses,

“Letter Paper Sculptures” by B. Chang,

“Arkitypo Letter Rotations” by J. Banks,,,

“Typography in Exploding-fluid Form” by H. Almossawi,

“Graffiti Markup Language (GML)” by E. Roth,,

“Antroiama 1949” by Aubry and Broquard,

“Palindrome” by Troika for V&A:,,

“Fast Company” by S. Page,

“Type that Moves (you)” by J. Cruz,

“Offf 2013 Cincinnati Opening Titles” by O. Senturk,

“The Alphabet” by A. Novelli,

“Is That A Fish In Your Ear?” by M. Young,

“Sabah-NYT Turkish Edition” by Q. Michalski,,

Heterosis by B. Banton,

LT Klint (by H. von Döhren) Short Film by J. Barnbrook:

“The Big Lebowski Speech” by K. Dekker,

“trytype2” by G. Ludes,

Vernacular Type

The Center for Vernacular Typography,,

Villatype Found Lettering,

“Public Lettering” by P. Baines,

“TypoTrip, Typography on the Road” by W. Mejor,

“Letters” by A. Cavedoni,

“Letters” by T. Leming,

“Numbers” by G. Fuga,

“Guerrilla Typography” by C. Webb,

Chicago Type,

Type Nesting,

The Journal of Urban Typography,

Text Genererators

Adhesion by M. Sousa,,


Lorem Ipsum,,


“Typable Text Manipulator” by O. Jób,

“word-o-mat” by N. Stössinger,

Textile Web Text Generator,,

Bacon Ipsum,


Hyphenation Online Tool,

“Lyric Hyphenator” by J. Brennan,

Automatic Text, Phyton FL Script,

Spell with Flickr,

Art21 Synthesis Machine,

Word by Letter,

P22 Music Text Composition Generator,

Universal Declaration of Human Rights,,

BBC World Service,

Eki Letter Database,

Pangram (Holoalphabetic Sentence),, typowiki, thread,,

“Pack My Box With Five Dozen Liquor Jugs” thread,

Pangrammer by M. Simonson,

The Daily Pangram,


Spacing and Kerning Lists,,,,

Word Lists,,, numerical, Q-no-U, Vs, atkinson

Wordle Word Clouds,,

Wordoid Creative Naming Service,


ASCII Art,,,,

“Ascii Conversion Applet” by J. Sulman,

Binary to Text Conversion,

Mirror, Invert, and Reverse,

8 Letters in Search of a Word,

Bar Code Graphics,,,

“In Defense of Lorem Ipsum” by K. McGrane,

“IBM IMPACT Helping Europe Scan Historical Documents” by L. Whitney,,


OCR Online Optical Character Recognition,,

Wowio Free Books,

Project Gutenberg,


Rob Waller’s,

Max Bruinsma’s at Eye,

John D. Barry’s,

Mark Batty Publisher,

Michael Bierut’s,

Titus Nemeth’s,

Ellen Lupton’s,

Steven Heller,

Rob Giampietro’s,

Maurice Meilleur,

Baseline mag,

Spatium mag,

Encore mag,

Tipográfica mag,

Typo mag,

La Police Footnotes,

Typographische Monatsblätter,

TYPO Talks,

The Daily Heller,

Avant Garde by Herb Lubalin,

Dada Journal,

The Magazine,


Johnson Banks,

Typotheque articles,

Works That Work,

The Week In Type by ILT,


Pingmag articles,

Design Observer: writings about design and culture,

FontShop Newsletter Archive,

SPD Society of Publication Designers,

ADF (Anti Design Festival) Manifesto,

AA Files,


Good Fucking Design Advice,

Creative Review,

Pingmag articles,

26 Articles for Typography Lovers,

Answers to AIGA’s Ultimate Typography Quiz,

Font Bureau David Berlow’s Type Specimens,

“You Designed a New Typeface, Now How Do You Sell It?” by Atipo,

Nice Web Type,

U&lc Searchable PDFs,

Greenboathouse Press Library,

“The Science Bookstore” by J. Ptak,

“Design Will Save the World (poster)” by E. Spekermann,



Vintage Graphics,

Show Us Your Type (Type and Cities),

Type For Now Handlettering,

Designchat Typography,

Friends of Type,

Lyrics and Type,

Typographic Verses From the Bible,

It’s Nice That,

Text Wrap blog,

ReType blog,

Fine Typography by Monotype,

TEAL by J. Deck,

WGA ART Database,

Ibiblio Famous Artworks Exhibition,

Mr. Typo,


Seeking Inspiration Conference,



Discretionary Ligatures,

Images & Text Experiment,

But Does It Float,

Balla Dora Typo-Grafika,

Dirk Knemeyer,

Scroll Magazine,

RBtL (Read Between The Leading),

Ergonaut: the principles of good interactive design,

Multi, The RIT Journal,

Counter-Print: art and design related material,

P-DPA Post-digital Publishing Archive,

The Serif Publishing,

Winterhouse Editions,

The Little Bookroom,

Princeton Architectural Press,

Allworth Press,

Focal Press,

Hyphen Press,

Nijhof & Lee,

Sage Journals,


Typowiki Books,


FontShop Typeface Anatomy Glossary,

Typographic Design Glossary by Carter and Meggs,

Linotype Font Glossary,

Typography Deconstructed,

EiT Glossary by de Bartolo and Spiekermann,

Metric Typographic Units,,,

DTP Typometer –;;;;;

“eXtreme Type Terminology” by P. Dean,

“A Typographic Anatomy Lesson” by Boms and Hutchinson,, poster

“Inconspicuous Vertical Metrics” by A. Julien,


Terminologia Tipográfica,

Type Measurement,

DotType Guide,

Type Anatomy by Pecina and Březina,

Type Anatomy by Boms and Hutchinson,

OpenType Features,,

SIL Scripts Glossary,






Redsun by K. Woodward,


The Jargon Words,

Bibliopolis Glossary,

Glossary of Terms Used in Typecase Layout Pages,

iPhone Typography Manual,

Sappi Prepress,

Mimi Glossaries,

Artic Paper,

WGA ART Glossary,

Packaging Gateway Glossary,

Wikimedia <Typography>,

Wikipedia <Printing>,

“Printing Primer DTP Glossary” by H. Budgett,, dtp-glossary.pdf

10 Typographical Rules,

Lexicon Wikipédia Summary,

Typowiki Terminology,

[return to the index page]